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Makers Push Ramayana Part 2 Release to Diwali 2028 for Extra Polish

Reported by Tanvi Pillai (Section Editor) Β· The Indian Express Β·

Verified β€” Confirmed by a second source: The Hollywood Reporter India

Confirmed by a second source: The Hollywood Reporter India

Important
Makers Push Ramayana Part 2 Release to Diwali 2028 for Extra PolishPhoto: Wikimedia Commons

Schedule Change

Producer Namit Malhotra confirmed that the second part of Nitesh Tiwari's mythological epic will hit theatres worldwide during Diwali 2028. The sequel was previously slated for a Diwali 2027 window, but the team postponed the launch by a year to ensure high production standards. The two films boast a massive budget of Rs 4,000 crore. Malhotra explained that the team wants more time to deliver a grand finale without rushing the process, pointing out that Part 2 will feature larger war sequences between Rama and Ravana that demand extensive action design and visual effects.

Production and Crew

According to The Hollywood Reporter India, cinematographers Pankaj Kumar and Mahesh Limaye shot the project using an extensive pre-visualisation process. Kumar noted that the massive undertaking required working closely with visual effects artists right from the start, comparing the long desk-bound planning and post-production phases to making the same film three times. The sequel's plot is expected to follow Lord Rama and Lakshmana's journey to Kishkindha, where they meet Hanuman and enlist Sugriva's help to find Sita in Ashoka Vatika.

Box Office Outlook

Trade experts hold high hopes for the franchise's commercial run. Trade analyst Raj Bansal stated that a successful first part gives its sequel a fifty percent advantage in opening-day numbers, citing examples like Dhurandhar and Drishyam. Fellow trade analyst Taran Adarsh noted that audience anticipation depends heavily on the content of the first instalment and its cliffhanger ending.

Context

Massive multi-part mythological adaptations require lengthy visual effects pipelines and detailed pre-production work to handle complex battle sequences and creatures. Shifting release dates by a year is a common practice among filmmakers who want to avoid rushed computer graphics work on tentpole productions.

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