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Ramayana crosses 384 crore in three days as Hong Kong release approaches

Reported by Rituparna Sen (Section Editor) · Hindustan Times - Entertainment ·

Source: Hindustan Times
Worth knowing
Ramayana crosses 384 crore in three days as Hong Kong release approachesPhoto: Wikimedia Commons

Nitesh Tiwari's film Ramayana: Part 1, known internationally as Ramayana: Rise of a Legend, will release in Hong Kong on November 12 with Hindi audio and Chinese and English subtitles. Ticketing websites show that bookings are open with screenings set in Mong Kok, Langham Place, Premiere Elements, Tsuen Wan and Kwai Fong. The movie first opened in India and several other overseas regions on November 5.

Box Office Numbers

The film collected 69.80 crore net in India on its third day, raising its total domestic net collection to 182.70 crore and domestic gross to 218.25 crore. Its international earnings reached 68.50 crore on Day 3 alone, pushing its total overseas gross to 165.75 crore. Combined, the worldwide collection crossed 384 crore within three days of release.

Cast and Crew

The movie stars Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita and Yash as Ravana. The wider cast includes Ravie Dubey as Lakshman, Rakul Preet Singh as Surpanakha, Lara Dutta as Kaikeyi, Indira Krishnan as Kaushalya, Arun Govil as Dasharatha, Addinath Kothare as Bharat and Vivek Oberoi as Vidyutjihva. The film is produced by Namit Malhotra, with music composed by AR Rahman and Hans Zimmer.

Ranbir on Trolling

Before the release, Ranbir Kapoor spoke about online trolling at an event hosted by IIMUN, or India International Movement to Unite Nations. He stated that people should not worry about online criticism and should instead focus on supporters who care about their work and intentions, quoting the song line 'Kuchh to log kahenge'.

Context

Major Indian film releases often expand their theatrical footprint to international territories like Hong Kong in the weeks following their initial festive or wide domestic debuts to tap into overseas diaspora audiences. High-profile productions typically rely on multi-city ticketing networks and subtitled screenings to reach non-Hindi speaking viewers in foreign markets.

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