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Dileesh Pothan Starrer Chevittorma Explores Ego and Family Trauma on a Deathbed

Reported by Varun Krishnan (Senior Writer) · Indian Express - Entertainment ·

Unconfirmed — Reported by one source so far

Reported by one source so far

Worth knowing
Dileesh Pothan Starrer Chevittorma Explores Ego and Family Trauma on a DeathbedPhoto: Wikimedia Commons

Director Leo Thaddeus' Malayalam film Chevittorma recently had its premiere at the 31st Busan International Film Festival in South Korea. The atmospheric drama stars Dileesh Pothan as Varkey, a wealthy and unrepentant landlord whose health is failing rapidly at his ancestral home in a hilly part of Keralam.

The Plot and Conflicts

Pauly Valsan plays Theresia, a local figure known for helping dying people find peace through whispered prayers in their final days. At Varkey's estate, she faces a major challenge because the stubborn man refuses to admit his past wrongdoings or seek forgiveness. Varkey is sad that his son George, played by George Kora, and daughter-in-law Harini, played by Haritha Parokod, have not visited him in nearly ten years. However, he remains blind to his own abusive parenting and the lasting trauma he caused. George still holds deep resentment because Varkey ignored George's mother on her deathbed, leaving him indifferent to his father even in front of his own young son.

Cast and Technical Crew

The movie also features Jeo Baby in the cast and received a three-and-a-half star rating. Both Dileesh Pothan and Pauly Valsan deliver restrained and powerful performances. The film's visual style is shaped by Swaroop Sobha Sankar's cinematography, which uses natural sunlight, shadows, and wide frames to capture the surrounding environment. Editor Carlo Francisco Manatad lets shots linger after characters leave the frame to show that the world keeps moving. Iranian composer Milad Movahedi provides a minimal score that relies on ambient noise and silence rather than heavy music.

Context

Movies centered on a deathbed gathering usually focus on the emotional reactions of the family members waiting outside. Chevittorma stands apart by shifting the spotlight directly onto the psychological journey and unyielding ego of the person lying on the bed. Malayalam cinema often uses rural backdrops and slow-burn family dramas to examine how generational trauma and strict patriarchal values shape domestic relationships over decades.

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