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Hanuman Ansh earns Rs 2.35 crore on 53rd day, marking steep 74% drop

Reported by Vivek Joshi (Copy Editor) · Indian Express - Entertainment ·

Verified — Confirmed by a second source: NDTV - Entertainment

Confirmed by a second source: NDTV - Entertainment

Important
Hanuman Ansh earns Rs 2.35 crore on 53rd day, marking steep 74% dropRepresentative image · Pexels

On Monday, September 28, the devotional film Hanuman Ansh pulled in a net Rs 2.35 crore across 4,298 shows, a 73.9 percent fall from the previous day’s Rs 9 crore and the lowest daily takings in four weeks. The dip signals the start of a downward trend as the movie moves into the final phase of its theatrical run. Despite the slowdown, the film has already amassed Rs 309.38 crore in India and a worldwide gross of Rs 404.25 crore, which is 269 times its modest Rs 1.5 crore budget. This puts Hanuman Ansh at third place among the year’s highest‑earning Bollywood releases, behind Anurag Singh’s Border 2, which stands at Rs 450.19 crore. On its eighth Monday in theatres, the movie earned nearly seven times the Rs 35 lakh that Aditya Dhar’s Dhurandhar: The Revenge made on the same weekday. Occupancy in the Hindi market was 17.24 percent overall – 7 percent in the morning, rising to 14.69 percent in the afternoon, 20.62 percent in the evening and 22.08 percent at night. The film’s rise was slow; it opened on August 7 with just Rs 10 lakh and struggled to cross Rs 30 lakh in daily earnings for the first two weeks. Word‑of‑mouth revived its fortunes from day 16, culminating in a record Rs 22.75 crore on day 31. The cast includes Shobhinaw Satyaa, Vihaan Shedge, Chandan K Anand, Purnima Tiwari, Anil Rastogi and Gulshan Pandey. Director Vishal Chaturvedi also wrote the script, while Vishal Bawa handled cinematography, Shankh Rajyadhyaksha edited, and music was created by Sadhu Tiwari, Rishi Pathak, Shreyas Dharmadhikari, Suneel Lodhi, Dhirendra Mulkalwar and Chaturvedi himself.

Context

Box‑office drops after a long run are common as new releases draw audiences away. A high occupancy in evening and night shows suggests some loyal viewers still attend, but overall demand is waning as the film approaches the end of its cinema life.

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